Well, let me re-phrase that: I'm thrilled we found our forever home so we probably won't need to move again for 30 years!
In all seriousness, things are going pretty well. The office is the next space to tackle as far as getting it somewhat together. I think the big elephant there (almost literally) is that the beautiful desk I bought off Etsy has not yet arrived.
And then there's the thing about our master closet. It's not great. It's a 2 foot x 5 foot reach in and that's not nearly enough space for both of our clothes let alone shoes and bags (most of which are mine but that's beside the point). We are using other closets in the house and have left the master one empty for the time being, but I think I've convinced dear husband to consider building a true walk-in by extending the footprint of the existing closet. This might be the first step toward building a true master bedroom suite with the attic space since I don't think we'll able to afford to do that for quite some time.
When dear husband and I were planning our wedding, the hardest thing after finding a venue (and getting married on a budget…) was finding a good wedding photographer that we could trust. As people who take lots of photos, we definitely know what we like and don't like. Thankfully, we ended up with more photos we liked than photos we disliked.
That said, having shot weddings and events in the past, I like capturing fun moments and not being in the way (don't get me started on photographers and videographers who block the view for the entire crowd of onlookers during a ceremony). The way I like to take photos is that you shouldn't really know I'm there. But I think that’s kind of easy these days.
The real tricky part lies in taking pictures of folks not doing something special but just being. Here are a few tips I have in case you are trying to make a good picture of another human:
1. Get Lit
And by "lit" I mean pay attention to lighting. Good lighting is imperative. The last thing you want to do is have a whole lot of dark photos that you need to tweak. Unless you are trying to capture someone's dark side, in which case, carry on!
That said, good lighting doesn't have to mean expensive lighting equipment. If you find your camera's flash is too much, try to redirect that light. You can literally put a rectangle mirror under your flash while you take a picture (there's a product that does this for you called the Lightscoop). This helps diffuse the light so that flash is not so harsh. Alternatively, take your portrait on a bright but overcast day and let a cloudy sky be your big softbox in the sky.
2. Make Me Look Pretty
Everyone is beautiful in their own way and when you create a portrait, it’s about figuring out the best way to capture that. Makeup can be your friend; although, more so the kind that keeps you from getting too shiny if you tend to have oilier skin and not the kind that alters what you look like (again, unless that's what you are going for!).
Do keep in mind that even the beautiful people don't always look so great staring straight at a camera. Models are lauded more for creating angles with their bodies versus something inherent about their composition. This is when I think it’s totally ok to have some inspiration photos you like that you will try to capture. I have a Pinterest board of inspiration — whatever floats your boat.
Moreover, once you are inspired, it's important to use the right tool to facilitate the result you are after. If you have a zoom lens or interchangeable lenses, a good rule of thumb is to go higher than 50mm for individuals and go lower than 50mm for large groups of people. A lower number means a wider field of view which can distort lines and people's faces if you aren't careful; a good example of this is in the movie La La Land. As the camera at the audition pans in on Emma Stone's face, you'll notice something's a little off due to the distorting effect of the wide lens:
3. Don't Be So Basic
Every person is different and so every session will be different. What feels right for one may be terrible for another. If something you envisioned for your model doesn't work, realize that as soon as you can and move on. Don't force some photo trends just because it's in.
Similarly some photo trends need to die and you have my permission to let them die. Photo shoots on railroad tracks, for example, need to end; who decided that was safe?! And don't get me started on bad couples poses. I've seen engagement photos bordering on the obscene because of where a hand is placed during a staged kiss. When you are trying to create a portrait of a regular person, you generally want to avoid techniques that will be seen as gimmicky in the future. I generally try to avoid super stylized lighting or poses unless I'm working with an actual model who wants something unique; your average person will want to simply look their best in as many of the photos as possible.
The end of 2016 was rough. Like many other women, the outcome of the November election reflected the reality of the doors that continued to feel very much closed to me. The glass ceiling with the 18 million cracks in it suddenly felt more like solid lead — and it was poisoning me.
To cope, I decided to dive head first into photography in the coming year. Making pretty pictures won't change the world, but, for me, the act of going out to shoot soothes the soul and the post production definitely helps quiet the mind.
I bought a bunch of new equipment to kickstart that warm and fuzzy feeling about the world taking photos again. I submitted a sample of my work to a stock photo company and was accepted as a contributor. And then, like clockwork, I was fortunate enough to get the opportunity to photograph some Major League Soccer games both in New York and DC. Continue reading "Pitch of the Year: Photo Essay on Covering Major League Soccer"
When I was younger, I learned the hard way not to buy cheap hand bags. I bought a bunch of these (including illegitimate knockoffs sold to me in a backroom somewhere in Chinatown — which I will never again do for so many reasons!) and they would never last.
Now that I'm older and (so I hope) somewhat wiser, I invest in handbags that will last me a while and put up with abuse. I take the subway almost every day of the week so bags I wear can't just look pretty but they really have to function, especially under stress. A bag I carry should be able to get bumped into by a hobo and brush it off! Not only that, it should be able to fit all the junk I need in a day (wallet, digital devices, makeup, etc). Continue reading "In Search Of a Good Camera Bag"
Now that Labor Day has come and gone, I cry in a corner wishing for a do-over of summer think about how I spent my summer and reminisce.
Much of the summer was spent in the city. As is always the case for me, I start to get tired of it and I need a change of pace to remind me why I call this gem of a city home.
First stop, San Diego.
We took on Coronado Beach which, due to the presence of mica, glitters like someone dropped a glitter bomb across the entire beach. Also notable were the donuts (and donut-like poptarts) at The Donut Bar.
Many years ago, when I was still new to digital photography, I started using Apple's software Aperture to manage my digital asset library. I've continued using Aperture, even after Apple announced that they were discontinuing it. For a little while, I refused to believe that they were ceasing support considering how much progress they had made with analogous products like Final Cut but it's truly over.
Lately, I've been into carrying smaller purses on the weekends. It forces me to think about the bare essentials and probably reduces strain on my shoulders that are accustomed to carrying a bag that can at worst accommodate a 13" work laptop or at best carry around my 9" iPad plus a number of other odds and ends (giant wallet, makeup bag, etc).
This is a big shift for me as, for a while, I was only buying bags that could fit my camera. Since my camera (Canon DSLR) takes up a lot of room, I've been seriously considering down-sizing and have rented other cameras over the last 6 months just to get an idea of what I might like to buy (or not). When Adorama Camera had their infamous Passover rental special (10 days more or less for the cost of a weekend), I decided to pick up a camera I had wanted to try the last time they had one of these sales — the Leica Q. Continue reading "Reviewing the Leica Q"
After many days off from work and some fun travels, I'm now back in New York City and ready to resume my normal routines again — well, somewhat. The new year is all about resolutions but I didn't make any specific ones. Instead, I'm striving to have a majority of happy and healthy days in 2017. In keeping with that, there are a lot of things I will continue to do, or simply do more often, but I'm not aiming for some sort of dramatic change.
I think, despite what we say every January 1st, we are all creatures of habit. I'm going to focus on all my good habits like investing in my body with exercise and eating well and hobbies like reading (now with my new kindle paperwhite – thanks, Santa!), writing and taking photos.
And, speaking of photos, I took a bunch over the past week or so. I've been meaning to try out a mirrorless camera for a WHILE and I just haven't gotten around to it. I think this also ties into my being a creature of habit; I love my old Canon SLR and it, in return, has been very good to me over many many years. I'm typically pretty good with my electronics so they last a while – this camera is no different. That said, it's a little big for traveling and doesn't have any of the bells and whistles that newer cameras have.
So when Adorama (one of my favorite places for camera equipment in the city) was having a Christmas rental deal, I decided to go all out and rent a Leica Q. But that was taken because I didn't act fast enough, so I ended up with the Fuji X100T instead. In truth, I'm glad I ended up with the Fuji because it is way less expensive and therefore something I could consider buying in the future. Though, honestly, I still think I need to do a little more digging before I settle on a mirrorless camera. While the X100T is a really nice camera, there are some things about it that quickly became deal breakers for me. Continue reading "New Year and New Camera"
At work, there is a gallery show for our department called the "Art of the Commute." Below are my submissions:
Essentially, my approach was to photograph the disparity between where I begin my commute and where my commute lands me. I begin in my neighborhood which is pretty calm and quiet (for the most part). Most days, I get to the station and I will find a seat on the train as I'm at the last stop on the A train (where it terminates and then begins to head back downtown).
In contrast, after about 30 minutes on the train or so, I end up at 59th Street Columbus Circle. This is a relatively large station on the west side and a big connection point in the morning. As such, there is always a lot of hustle and bustle and tons of people walking around. I used long exposures to show in one frame the multitude of movement and people that's happening at that time of day.
It's here where I start the second leg of my trip, waiting for a B or D train to take me to Rockefeller Center where the building I work in is currently located. The Rockefeller station it not as big but just as nearly populated as so many other commuter's trips terminate there. There is a network of office buildings connected underground so there are a lot of people in and around the station. The revolving doors in the station lead to the underground shops in the "Concourse" level where one can find breakfast and emergency dry cleaning and shoe shining, among other things.
Perhaps if the series could have been longer (we were limited to a certain number of photos), I would have considered taking a photo of my desk (where my commute officially ends) or perhaps even my bed (where my commute officially begins).
Last year, I was inspired by a photo project going around (as well as countless magazines I'd purchased) that showed the inner contents of a person's handbag. I think you can tell a lot about a person by what they carry with them day in and day out. As you can see above, those are the contents of my bag as of July 7th 2011, when this photo was taken.
It's quite a different spread compared to 2010:
The biggest difference to me is the cellphone. I've replaced the Blackberry Pearl and Black & Red notebook with an iPhone. It's funny to think that it's only been a year and yet having the iPhone has completely changed my way of life — for the better! Although, I'm still a fan of paper and have been known to carry around notebooks too. I still can't type fast enough on my iPhone to get the ideas out whereas with a notebook I can speed through them.
The other big difference is the lighting. The 2010 photo was making use of available light and as a result was not the right color temperature (thus why it's greyscale) and a bit underexposed. The 2011 photo is still a little darker than I would've liked, but made use of bounced Speedlight flash (I bounced off the ceiling) to illuminate the items and details therein. However, the lens I used for this year's photo is not as great in quality so I still feel it's a bit off. In addition, my current camera isn't as great about capturing low light as the camera I'd like to buy soon. So next year, it will be better!